Ross in his prime. You wouldn't think a guy with hair like that would be such a cultural icon. In the 1920s, only one American city was the center of art and commerce: New York. And in that city, only one magazine kept track of it all: "The New Yorker." And in that magazine, only one person mattered: founder and editor Harold Ross. Ross was born November 6, 1892, in Aspen, Colorado, and soon developed printer's ink in his blood. By 13, he had dropped out of school to work at the Denver Post, and by 25 he had worked for six other newspapers, from San Francisco to Atlanta. During World War I, Ross' talents got him a job in Paris, editing the Army newspaper, "Stars and Stripes." His fellow staff members included drama critic Alexander Woollcott and New York columnist Franklin P. Adams -- both of whom would go on to play roles in Ross' plans. After the war, he settled in Manhattan, where he worked on those plans -- to create a weekly magazine that would analyze, comment on, and play a role in the cultural life of the city. It would not, Ross insisted, be a magazine for "the old lady in Dubuque." It would be sophisticated and urbane -- but not snobby. It had standards, but if a reader was witty or informed enough, he or she would be a member of the club. In the depths of the winter of 1925, the first issue of "The New Yorker" rolled off the presses. Despite some glitches, such as a joke ("Pop: A man who thinks he can make it in par. Johnny: What's an optimist, Pop?") that ran with the set-up and punchline reversed -- a error reprinted in every anniversary issue for years -- the magazine was an instant hit. In the decades since, it has come to be considered the gold standard of American magazines. That respect is due almost entirely to Ross. He personally edited virtually every word that appeared in every issue until his death in 1951, and, despite his own poor spelling, his meticulousness for precise grammar, clarity, and good writing attracted such notables as Vladimir Nabokov, John Updike, Ernest Hemingway, John Hersey, Ann Beattie, John Cheever, Roald Dahl, Alice Munro, John O'Hara, Philip Roth, J.D. Salinger, Robert Benchley, Dorothy Parker, Irwin Shaw, Woody Allen, James Thurber, E.B. White (whose own prose style was crucial in setting the magazine’s voice and tone), and even Marlon Brando. But the literary aspect of "The New Yorker" was only part of the package. Each issue was filled with cartoons by artists like Charles Addams, Peter Arno, George Booth, Roz Chast, George Price, Saul Steinberg, William Steig, and Thurber again. So good were (and are) the cartoons, that many readers never get past them and are still satisfied they got their money’s worth. Despite Woollcott describing him as looking like "a dishonest Abe Lincoln," Ross' contributions to the culture of Manhattan and America are impossible to calculate. His sensibilities shaped the ways plays were written, movies received, and books were published, and it's almost impossible to imagine American -- and world -- culture without him. Suggested Sites... Wikipedia: Harold Ross - overview of Ross' life and career. The New Yorker - bringing the world to New York -- and vice versa -- since 1925. The New Yorker Cartoon Bank - pretty near every cartoon ever seen in the magazine, yours for the asking. Harold Wallace Ross - biography of The New Yorker's founder. Harold Ross: The History - the BBC takes a look at Ross and his magazine.

Directory categories: Harold Ross, The New Yorker, E.B. White, Magazines, Manhattan

Archived under: 1920s, Authors, Biographies, Birthdays, Cartoons, Journalism, Literature, Magazines, Media, New York, Society and Culture, The New Yorker

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Chuck Jones's "Feline Frame-Up" On this day in 1912, Chuck Jones, one of the most celebrated directors from the Golden Age of animation, was born. So we celebrate his work today, to honor what wonderful, hilarious, and most importantly, timeless pieces of work that Charles M. Jones accomplished. Known mostly for his "Looney Tunes" animated shorts, including popular gems such as "One Froggy Evening," "Duck Amuck," "What's Opera, Doc?," and the "Hunting Trilogy." My personal favorite, however, is a much lesser-known short titled "Feline Frame-Up," which, in my opinion, has more hilarious gags that each hit their mark than any other animated short I can recall. Starring Claude Cat, Marc Antony the bulldog, and Pussyfoot the adorable little kitten, this was the third short starring Marc Antony and Pussyfoot ("Feed the Kitty" being the most famous of the three). In "Feline Frame-Up," Claude Cat, who had a decent career in several of Jones's shorts, plays the villain in the story, committing some pretty serious crimes, such as assault and battery against a minor (kicking little Pussyfoot right out of her bed), suffocation (dropping Pussyfoot down into a very tall glass vase), and blackmail (placing Pussyfoot into Marc Antony's mouth while he was sleeping, to make it look like he ate the cat, which then gets the dog kicked out of the house). Marc Anthony has his way with Claude, however, and gets the house back in the end. Another favorite Chuck Jones short of mine also stars Claude Cat, titled "No Barking." This one pairs Claude up with Frisky Puppy, a young, very jolly, pup that often, but unwillingly, scares the bejeezus out of Claude by sneaking up behind him and barking -- often sending the cat straight up in the air from shock. What's your favorite Chuck Jones short? If you're not sure which ones were his, just think of a funny Looney Tunes cartoon and, chances are, Chuck Jones directed it. Suggested Sites... ChuckJones.com - official site of the late and great legend. Wikipedia: Chuck Jones - his Wiki entry. Chuck Jones: The Greatest of All Time - nice tribute fan page. Senses of Cinema: Chuck Jones - detailed analysis about why he was "the most influential individual in the history of animated film." Wikipedia: Michael Maltese - because he wrote all of Chuck Jones's masterpieces, he deserves a mention.

Directory categories: Chuck Jones, Looney Tunes, Looney Tunes Characters

Archived under: Animation, Birthdays, Cartoons, Directors, Entertainment, Looney Tunes, Movies

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Mystery, Inc. on the case A dark and stormy night. A shot rings out! A body falls, and soon two NYPD detectives are on the scene, cracking wise about a gruesome murder. Without warning, a colorful van screeches to a halt and out pop a ravenous slacker and a talking Great Dane. (Or should we say a "ralking Reat Rane?") A fever dream? Perhaps. But we prefer to think of it as a crossover between two of our favorite television shows. Those who don't believe that the universe has a plan will have to explain why both "Scooby-Doo, Where Are You?" and "Law & Order" both premiered on September 13 (granted, those premieres were 21 years apart, but still ...). The possibilities of worlds colliding in this way are endless: Daphne Blake as Jack McCoy's newest A.D.A.; Fred Jones and Lennie Briscoe trading quips; and D.A. Adam Schiff ordering Scooby and Shaggy to get the hell out of his office. While some may consider Detective John Munch to be one of the centers of the TV universe (after all, he's crossed over onto nine shows), we'll put our money on John Di Maggio, just about the only actor to appear on both shows. Ruh-roh! Suggested Sites... NBC: Law & Order - 20 years, 446 episodes (and counting!) -- and who knows how many criminals? Kids WB: Scooby-Doo - home of those meddling kids. Law & Order: An Adventure to Color - break out the crayons and solve a murder. Crossovers & Spin Offs Master Page - or, When "Hill Street Blues" met "Cop Rock." Scooby-Doo 2: Monsters Unleashed - when animation just isn't enough.

Directory categories: Scooby-Doo, Law & Order, Animated TV Shows , TV Cop Shows, Animated Characters

Archived under: 1960s, 1990s, Actors, Animation, Anniversaries, Cartoons, Children´s TV, Coincidence, Crime, Criminals, Detectives, Entertainment, Hanna-Barbera, Law Enforcement, Mashups, Media, Mysteries, TV

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"His Master's Voice" (What you don't see is that Nipper is sitting on the coffin of his dead owner) In company logos and advertisements, animals are a fairly common sight. So common, in fact, that you probably haven't given these mascots a great deal of thought. But those whose job involves selecting an animal representative for an organization or company face no small task. With their choice, they will be aligning themselves with whatever qualities people tend to associate with that animal. Once they’ve found their totem, they may forever be associated with it. A prime example of logo longevity is "His Master’s Voice," a design trademarked by the Victor Record Company on this day in 1900, sealing forever in our minds the image of Nipper the dog listening attentively to a Victrola, and connecting it further with the Gramophone Company (later known as HMV). In the ensuing century, plenty of other corporate critters have made their marks on our cultural consciousness. How many times have you heard Leo, the MGM lion roar? Financial institutions have adopted symbols of strength, including an elk and a lion, though Merrill Lynch was wise to select a bull rather than a bear. Animals in advertising have also provided memorable and humorous moments. Cuteness gives many animal representatives their appeal. The Geico gecko is pretty adorable, as is Snuggle, the Fabric Softener Bear. Some creatures are simply effective because they are cartoons, and appeal to kids, such as the Trix Rabbit and Sugar Bear. Turns out there’s a science behind the success of animals (or "visual identifiers," as the marketing analysts call them). While some wine critics may claim they avoid "labels bearing cute animals," the rest of us are drawn to these images almost against our will, according to researchers. Did you pick up that bottle of Syrah because it had a kangaroo, chameleon, or a cute dog or kitty on it? It’s not your fault -– you're a victim of your own "perceptual fluency." In light of the incredible sway these animals have over us, some mascots may not have been the best selections. Joe Camel, for example, the longtime rep for Camel cigarettes, was no longer depicted in cartoon form due to objections that he appealed to children too effectively, and Budweiser’s Spuds MacKenzie faded into obscurity before anyone noticed that a dog in a Hawaiian shirt was probably not the most appropriate spokes-animal for beer. After all, wouldn’t you rather share a tall one with a creepy penguin? Suggested Sites... TV Acres - Advertising Mascots - take a four-legged walk down memory lane. "Of Frog Wines and Frowning Watches" - academic study on why we select animal-endorsed brands and respond to other visual cues. Live-Animal Mascots Get an "F" - PETA argues that actual animals should not be used as mascots. "Dinner With the Mascots" video on YouTube - amusing reunion of several iconic mascots.

Directory categories: Advertising, Commercials, Pop Culture, Graphic Design, Phonographs

Archived under: 19th Century, Advertising, Animals, Anniversaries, Bears, Birds, Brands, Cartoons, Design, Dogs, History, Images, Mascots, Music, Music History, Nostalgia, Records, Society and Culture, TV, Wine

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Johnny Weissmuller, before he play Tarzan Me Tarzan, you reader. Friends ask Tarzan why English lord speak so badly. Tarzan shrug and answer, "Give people what they want." Tarzan speak fine in 1912 when Tarzan created by Edgar Rice Burroughs. (Tarzan even speak French.) But when Tarzan played by Johnny Weissmuller in many movies, Tarzan somehow tongue-tied. Go figure. Anyway, Tarzan is King of Apes and of many jungles: African jungle (even have song about it!), movie jungle, TV jungle, radio jungle, comic book jungle, cartoon jungle. Tarzan even had Broadway musical. Eat heart out, Batman! Today good day for many friends. Cheeta recently celebrate 77th birthday. Live in Valley. Paints. Lucky. ($125 a painting? Maybe Tarzan should try.) Weissmuller's 105th birthday today. Couldn't speak, but good swimmer. To them and you, Tarzan have only one thing to say: Ooohhhhaaeeeaaaahhhh Oooohhheeeaaahhh! Suggested Sites... Tarzan.com - home of Edgar Rice Burroughs, creator of Tarzan, John Carter of Mars, David Innes, Carson Napier, and dozens of other pulp heroes. Tarzan: The Broadway Musical - swinging onto the Great White Way. ERBzine - dedicated to all of the creations of Edgar Rice Burroughs. Salon: Jungle love - Stephanie Zacharek puts the Tarzan and Jane marriage under the microscope. Tarzan of the Apes - the complete first novel, anotated.

Directory categories: Tarzan, Edgar Rice Burroughs, Tarzan Movies, Musicals, Primates

Archived under: 1910s, 1930s, Africa, Apes, Athletes, Authors, Birthdays, Broadway, Cartoons, Comic Books, Comic Strips, Disney, Entertainment, Fiction, In Character, Movies, Musicals, Olympics, Royalty, Superheroes, Swimming, TV, Tarzan

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