Jack Pierce makes up Karloff as the Frankenstein monster (Photo by Jhayne) When I was growing up, I loved horror movies -- especially monster movies. I don't mean the gorefests that populate the screen today; the ones that substitute shock for real psychological terror. No, I loved the Universal monster movies that featured the Wolf Man, the Invisible Man, Dracula, and, most of all, Frankenstein’s monster (or just "Frankenstein," as we called him in those days). Most of the reason for that love was Boris Karloff. In spite of how many people he murdered, tortured, or terrorized on camera, it was obvious that, behind the character, there was a decent and funny man who projected a real humanity. Karloff was born on November 23, 1887, as William Henry Pratt. As a child, it was expected he'd follow his brother into the British Foreign Service, but he developed a love of acting that took him first to Canada, then finally to Hollywood, where between gigs acting in silent films, he worked as a ditch digger and truck driver to pay the bills. When sound films came along in the late 1920s, his stage training (and British accent) helped him make the transition to talkies, but he was still mired in supporting roles like "Rev. T. Vernon Isopod" or "Sport Williams." Finally, in 1931, the role of a lifetime -- the Frankenstein monster -- came along, and even though he was unbilled at the time (the credits showed the Monster as being played by "?"), he had achieved screen immortality, becoming one of the few actors to be so well known as to be billed with just one name: "Karloff." It took Universal a bit of time to realize what an asset they had in Karloff. They lent him out to Warner Bros. for a memorable turn as a cadaverous gangster in the original "Scarface" and to MGM to star in the insidious Dr. Fu Manchu. But once the box-office returns came in ($12,000,000 -- nearly $200 million today... that's before adjusting for the 25 cents audiences paid in 1931!), they took full advantage of him in such classics as "The Old Dark House," "The Mummy," "The Black Cat," and (best of all) "The Bride of Frankenstein" -- some 42 features over the next ten years. In 1941, Karloff left Hollywood to appear on Broadway in the comedy "Arsenic and Old Lace," playing another homicidal maniac -- one who’d had plastic surgery and now looked like -- Boris Karloff. Over the next three decades, Karloff alternated between stage, screen, radio, and television, shifting easily between comedy and drama. His integrity and talent were such that, even after the many times he had kidded his "horror star" image, he was still utterly believable when he did a straight role that would scare the pants off audiences. When he died at the age of 81 in 1967, his name was still the gold standard for the genre, (an accomplishment that no one else -- in any film genre -- has ever matched) and for some of us, it still is. Suggested Sites... Karloff.com - official site of the Karloff family, dedicated to the memory of the Master of Horror. "How the Grinch Stole Christmas" - excerpt from one of Karloff's last great roles, narrating and playing the Grinch. Celebrating Boris Karloff, the Monster and the Man - introduction to a retrospective of Karloff's film career. Universal Studios Monster Movies - overview of the studio's horror films of the 1930s. Frankenstein Films: The Universal Pictures Series - reviews and synopses of the series that rocketed Karloff to stardom.

Directory categories: Boris Karloff, Horror Movies, Classi Hollywood Actors, Frankenstein, Actors

Archived under: 1930s, 1940s, Actors, Biographies, Birthdays, Boris Karloff, Celebrities, Entertainment, Horror, Horror Films, In Character, Monsters and Creatures, Movies

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Larry Fine looking stunned, undoubtedly by some unexpected turn of events People who work in comedy know the "Rule of Three." That is, when writing jokes or creating a comedic movie, TV show, play, or even a skit, writers know how to establish a situation, confirm it, and then overturn it. If you look for it, you'll see it all the time: "A priest, a minister, and a rabbi walk into a bar ..."; "an Englishman, an Irishman, and a Scotsman were arguing ..."; "a genie grants a man three wishes ..." With that rule so well-known, it makes us wonder why there are so few three-man comedy teams. There's the Ritz Brothers (who few remember nowadays), the Marx Brothers (who originally were a quartet), the Three Stooges -- and that’s about it. We were reminded of this apparent paradox today in noting that October 5 marks the birthday of our favorite Stooge, Larry Fine. Every Stooge fan has his favorite. (We use the pronoun "his" deliberately here, since it's well known that women just don't get -- or even like the Stooges.) Some prefer the outright lunacy of Curly; some think Shemp is the ne plus ultra of wackiness; there are undoubtedly those who think the antics of Joe or Curly Joe cannot be bettered; and we're sure Moe brings delight to many for his attempts to bring order out of chaos. But Larry is, for us, the essential Stooge. His "normalcy" (at least in terms of Stoogedom) provides the necessary grounding between Moe's masochism and Curly's flights of fancy. The Trinity of Stooges has been compared to Sigmund Freud's theory of the unconscious (no, honestly), what with Moe's controlling force representing the ego, Curly the uncontrollable id, and Larry, the superego that strives for organization and peace. Larry Fine himself was an unassuming man. He was born Louis Feinberg in Philadelphia in 1902, and after a childhood accident (he burned his arm with acid), he took up the violin, a choice that led to a career in vaudeville, where a chance meeting with comedian Ted Healy (who had originally hired the Howard Brothers -- Moe, Shemp, and Curly -- to accompany him on stage) led him to join Healy's act as the third Stooge, a role he would hold for the next four decades, until a debilitating stroke forced him to retire. Larry's contribution to the act is invaluable. He provides an entry point for the viewer, allowing us to put Moe's harshness and Curly's craziness into context. Without him, Stooge fanatics would be left only with an authoritarian beating up on a lunatic. And every so often, Larry will say or do something so off the wall that it confirms his own existence as a Stooge. Director Peter Farrelly has been threatening to make a new "Three Stooges" movie for years. While this may not seem a good idea at first blush (Benicio Del Toro as Moe? Sean Penn as Larry?), his views on Mr. Fine give Larry-philes reason for hope (while also providing a fine epitaph): "Growing up, first you watched Curly, then Moe, and then your eyes got to Larry. He's the reactor, the most vulnerable. Five to fourteen, Curly; fourteen to twenty-one, Moe. Anyone out of college, if you're not looking at Larry, you don’t have a good brain." Suggested Sites... Larry Fine.com - dedicated the most important Stooge of them all. IMDb: Larry Fine - film credits, biography, and photos. Wikipedia: Larry Fine - good overview of his life and career. Stooge World: Larry Fine - illustrated biography. Farrelly Brothers' Three Stooges Saga: The 13-Year Backstory - is the lack of a movie a good thing or a bad thing?

Directory categories: Larry Fine, The Three Stooges, Comedy Teams, Comedy, Actors

Archived under: 1920s, 1930s, 1940s, 1950s, 1960s, Actors, Biographies, Birthdays, Comedians, Entertainment, Humor, Men, Movie History, Movies, Musicians, The Three Stooges, Vaudeville

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The King holding court at the 1982 San Diego Comic-Con (Photo by Alan Light) How did a kid from the Lower East Side of New York grew up to become the "King of Comics," and have an immeasurable impact on the world’s popular culture? That’s the story of Jacob Kurtzberg, better known as Jack Kirby, who was born on August 28, 1917. As a child, Kirby was likelier to get into fistfights than study art, but he was captivated by such masters of the comic strip as Alex Raymond ("Flash Gordon"), Hal Foster ("Prince Valiant"), and Milton Caniff ("Terry and the Pirates"). He enrolled at the Pratt Art Institute, but soon left because they wanted him to linger over his work, and he wanted to "get things done." His imagination was so full and his creativity so profound that he rarely lingered over anything, turning out dozens of pages of brilliant comic art every week. From Pratt, he went to the Fleischer animation studios (working on their "Popeye" cartoons), but left because of the "production line" way the movies were turned out). He then tried creating a number of comic strips (under an equal number of pseudonyms: Curt Davis, Fred Sande, Jack Curtiss, Ted Grey, and even just "Teddy"). While his work was good, nothing stuck until he met fellow writer and artist Joe Simon. With Simon, he created the character Captain America for Timely Comics (the precursor of today's Marvel Comics), and the rest was history. Simon and Kirby became one of the top teams in comics history, but when they suspected they were being underpaid, they moved to DC Comics, revitalizing such characters as Manhunter and The Sandman, and creating The Guardian and The Boy Commandos. After World War II, the duo went back to work, creating the classic "Boys’ Ranch," the tongue-in-cheek "Fighting American," any number of crime comics, and even found time to invent the romance comic genre. But good things can last only so long, and the partnership split up. Kirby went back to DC, where he created "The Challengers of the Unknown." But after another legal battle, he returned to Marvel, where he began an unparalleled run that saw him co-create scores of characters, including The Fantastic Four, The Hulk, The X-Men, The Avengers, Thor, The Silver Surfer, Dr. Doom, and The Black Panther, mainstream comics' first black superhero. His muscular and dynamic style was credited by the New York Times as creating "a new grammar of storytelling and a cinematic style of motion ... Even at rest, a Kirby character pulsed with tension and energy in a way that makes movie versions of the same characters seem static by comparison." But the comics business being what it is, and Kirby being Kirby, following a dust-up over creator's rights and original art, he again went back to DC, creating the "Fourth World," a series of characters (The Demon, Mister Miracle, The New Gods, and Darkseid, DC's ultimate supervillain) and storylines that were nothing less than cosmic in scope. After only four years, though, he was back at Marvel yet again, leaving only three years later to work in animation (becoming an inadvertent footnote in the Iran Hostage Crisis of the 1980s). But ink was always in Kirby's blood, and after another brief stint at DC, he went to smaller publishers that allowed him not only full creative freedom, but also the ownership of his characters -- something he'd always craved. He died in 1994, never having lost any of his talent or creativity. It's hard today to find a comics artist -- or even a film director -- who has not been influenced in some way by Kirby's dramatic and dynamic style. He set the standard, and even 15 years after his death, he is still "the King." Suggested Sites... Jack Kirby Museum and Research Center - promoting and encouraging the study, understanding, preservation, and appreciation of the work of Jack Kirby. Jack Kirby - really nice analysis of Kirby's style and influence. Marvel Comics Database: Jack Kirby - detailed biography, with links to massive galleries of Kirby covers, characters, and interior art. Grand Comics Database: Jack Kirby - 60 years of comics, catalogued and categorized. Wikipedia: Jack Kirby - extensive biography of the King.

Directory categories: Jack Kirby, Comic Book Artists, Comic Books, Marvel Comics, DC Comics

Archived under: 1930s, 1940s, 1950s, 1960s, 1970s, 1980s, 1990s, Animation, Artists, Arts, Biographies, Birthdays, Captain America, Cartoonists, Celebrities, Comic Books, Comic Strips, Comics, Entertainment, History, Men, Popeye, Science Fiction, Superheroes, Villains, Writers

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Groucho Marx in 1931 Thirty-two years ago this week, an icon of American entertainment died: a performer who was recognizable by his voice, his physicality, and his frequent appearances on television and in films. We refer, of course, to Julius Henry Marx -- better known as Groucho. Groucho Marx died on August 19, 1977, but with all the fuss over Elvis Presley's death three days earlier, his passing was virtually overlooked by the media. But for those with a taste for a sharp tongue and terrible puns, Groucho lives on. In a career that spanned almost all of the 20th century, Groucho and his brothers conquered vaudeville, Broadway, radio, the literary world, and motion pictures. After he retired from movies (more or less), Groucho hosted "You Bet Your Life," a game show that became known for Groucho's verbal byplay with civilian guests and its immortal catch phrase, "say the secret word and win $100." He made a "comeback" at the age of 82 (though he'd never really left), packing concert halls with his one-man show. While some may prefer the karate-chopping guy in the jumpsuit, we'll take the cigar-smoking con man in the greasepaint mustache waggling his eyebrows at the nearest blonde or trying to scam a wealthy dowager. Suggested Sites... Marx-Brothers.org: Groucho Marx - detailed biography of the life of Julius Henry "Groucho" Marx. Marx Brothers.org - information on every aspect of the lives and careers of the five Marx Brothers. The Smoking Gun: Groucho Marx's FBI File - investigating just what kind of a Marxist Groucho was. Clown Ministry: The Marx Brothers - letters, quotes, photos, and articles about Groucho, Harpo, Chico, Zeppo, and Gummo. Museum of Broadcast Communications: Groucho Marx - information about Groucho's television career.

Directory categories: Groucho Marx, The Marx Brothers, Comedians, Comedy Films, Television Game Shows

Archived under: 1930s, 1940s, 1950s, 1960s, 1970s, Actors, Anniversaries, Authors, Biographies, Broadway, Celebrities, Comedians, Dead Celebrities, Entertainment, Game Shows, Humor, Movies, Musicals, TV, Vaudeville

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The women of the Capital Punishment roller derby tournament (Photo by Michelle Tribe) Remember your first pair of roller skates? As you wobbled along, you probably didn't consider the experience a precursor to a future foray into contact sports (aside from contact with the sidewalk, perhaps). For some, it's just a hop, skip, and a roll from the safe sidewalk to the raucous roller rink. The sport of roller derby is making a comeback, and women in particular are lacing up old-fashioned four-wheel skates, donning helmets, and engaging in some serious competition. The rules of roller derby aren't especially complex: "jammers" score points by passing "pivots" and "blockers." The spectacle of the sport comes mainly from the shoves and spills the skaters endure. A decades-old phenomenon, roller derby grew out of the tradition of endurance races early in the 20th century. The first "Transcontinental Roller Derby" took place on August 13, 1935 at the Chicago Coliseum. Less brutal than the endurance race that, years earlier, had killed at least one participant, this Derby went on for weeks and covered 3,000 miles, the distance from Boston to San Diego. Since then, roller derby has come in and out of fashion, and public interest in the bouts as spectator sports has waxed and waned. In recent years, more teams and leagues have formed, with an emphasis on community, sportsmanship, and fun. There’s even an upcoming feature film directed by Drew Barrymore that frames a young woman's coming-of-age story around roller derby. With the known benefits of participation in team sports, and talk of roller sports being included in the Olympics, it may not be far-fetched to see this burgeoning sport playing a role in shaping a girl's future. Suggested Sites... Women's Flat Track Derby Association - tons of resources for skaters, including events, careers, rules, and rankings. Derby News Network - current info for serious derby fans. Roller Derby Foundation - includes an online roller derby museum and hall of fame. RollerCon - start training for next year, rollergirls! How To Pick Roller Skates - eHow video in which Rat City Roller Girl Rahel Cook shows you the basics for selecting a pair of skates.

Directory categories: Roller Derby, Roller Derby Leagues and Teams, Skating Rinks, Drew Barrymore, Women's Sports

Archived under: 1930s, American History, Contests, Hobbies, Roller Skating, Society and Culture, Sports, Women, Women's Sports

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