|
|
|
 First Lady Michelle Obama plants a garden with Big Bird and Elmo as part of Sesame Street's 40th season. Photo by Richard Termine |
I've always been a big "Sesame Street" fan, but it took me a long time to truly understand how good it is. As a kid, I thought it was just entertainment. Sure, I learned about letters and numbers and sharing and things, but it was mostly a fun show full of characters so vivid they felt like friends: there was a helpful monster who avoided contractions, a filthy curmudgeon, a meticulous bachelor and his infuriatingly perky roommate, an omnivorous monster with impulse control problems, a surprisingly cuddly vampiric numerophile, and a little kid who happened to be an eight-foot-two-inch-tall bird -- and his (still invisible at that point) friend.
Now, as a mom, I think I'm finally able to fully appreciate "Sesame Street" for what it is: the most loving, carefully crafted, far-reaching educational project on the planet. If you've never considered how big "Sesame Street" is, that might sound ludicrous. But consider its goals and its impact.
Back in 1969, when it debuted, it was designed to help urban, low-income, and minority preschoolers be more prepared for school (though its appeal ended up being far wider than that). Studies have shown that it succeeded. In addition to teaching letters and numbers, "Sesame Street" also teaches kids to have a positive attitude toward learning in general. But the show teaches even greater social lessons. Beyond the obvious ones like sharing and telling the truth, it has a deeper message of tolerance, empathy, diversity, and acceptance.
Today, 140 versions of the show exist around the world, each crafted to suit its local audience in format, curriculum, and tone. In South Africa, "Takalani Sesame" features an HIV-positive Muppet. On Egypt's "Alam Simsim," an inquisitive female Muppet encourages girls to break gender stereotypes. And in recent years in America, the show has helped children of military personnel deal with parents' deployment and homecoming, and has helped teach kids affected by the dismal economy how to cope.
In its four decades, "Sesame Street" has changed with the times to keep up with entertainment styles, educational demands, and social needs. Today, as the show celebrates 40 years of excellent educational television, millions of kids and parents will tune in to a new season that will focus on things like healthy eating and green living, but without fundamentally changing from its original educational goals.
I'm looking forward to seeing what they'll do, though I haven't seen much of the show lately (and, admittedly, the last time I watched, I found Elmo rather annoying). My daughter is still too young for TV, but I'm excited about rediscovering my old friends with her when she's a little older.
Suggested Sites...
|
|
Directory categories:
Sesame Street, Sesame Street Characters, Jim Henson, The Muppets, Children's Television |
|
Archived under: Anniversaries, Children, Children´s TV, Education, Entertainment, Muppets, Sesame Street, TV |
| Post a comment (0) | Email this posting |
| Thar She Blows! | By David Price and Dave Sikula Mon, November 9, 2009, 12:01 am PST |
 Whale go BOOM! |
Here's a scenario for you: It's Thursday, November 12, 1970. You're in Lane County, Oregon, and decide to get a start on the weekend by spending a delightful afternoon in the lovely little coastal town of Florence.
Perhaps you're with that special someone, hand-in-hand, taking that clichéd "walk along the beach." You notice there's a bit of a funny smell in the air -- something like rotting fish -- but it's not enough to deter your enjoyment.
Suddenly, in the middle distance, you hear a mysterious explosion. "That's odd," you think. "What could be blowing up?" Sand begins to rain down on you; an odd sensation, but not unpleasurable. But then you start to notice that that "sand" is way too icky, sticky, gooey -- and smelly -- to be merely sand. You're no expert, but you have a sickening sense that those gelatinous bits that are suddenly covering your body aren't jelly, either.
What you've managed to luck into is the day the Oregon Department of Transportation tried to dispose of an eight-ton sperm whale that had washed ashore on the Florence beach. Having little experience with dead cetaceans, the wise authorities of the State Highway Division decided that the best way to get rid of a rotting whale carcass was not to bury it in the sand or to tow it away. No, their solution was to take a half-ton of dynamite and blow the poor creature's remains sky high.
The idea was that the whale would be rendered into bite-sized pieces, providing local carrion-eaters with meals for weeks and saving the state a bundle of dough in disposal charges. Unfortunately, that plan of attack didn't go so well. Instead of disintegrating the blubbery blob, the explosion left the whale mostly intact, while hurtling whale parts up to a quarter mile from "ground blubber." Lucky spectators found themselves speckled with cetacean bits, chunks landed perilously close to nearby buildings, and one massive fleshy piece crushed a car.
The story remained something of a local legend for two decades, until columnist Dave Barry wrote about the incident. While many dismissed the story as merely an urban legend, Barry was able to prove the story happened through the use of one of the many video clips that, in the intervening years, have become available on the Internet.
In the nearly four decades since the event, the Oregon Parks and Recreation Department has changed its whale-disposal policy: they no longer blow them up. They either bury the whales where they land, or "relocate" them to another beach. It's a shame, though, because you really can't watch a video like this too many times.
Suggested Sites...
|
|
Directory categories:
Whales, Urban Legends, Explosives, Demolition, Florence, Oregon |
|
Archived under: 1970s, Animals, Anniversaries, Beaches, Flops, Marine Biology, Urban Legends, Videos, Weird Stuff, Whales, Wildlife |
| Post a comment (0) | Email this posting |
 Ross in his prime. You wouldn't think a guy with hair like that would be such a cultural icon. |
In the 1920s, only one American city was the center of art and commerce: New York. And in that city, only one magazine kept track of it all: "The New Yorker." And in that magazine, only one person mattered: founder and editor Harold Ross.
Ross was born November 6, 1892, in Aspen, Colorado, and soon developed printer's ink in his blood. By 13, he had dropped out of school to work at the Denver Post, and by 25 he had worked for six other newspapers, from San Francisco to Atlanta.
During World War I, Ross' talents got him a job in Paris, editing the Army newspaper, "Stars and Stripes." His fellow staff members included drama critic Alexander Woollcott and New York columnist Franklin P. Adams -- both of whom would go on to play roles in Ross' plans.
After the war, he settled in Manhattan, where he worked on those plans -- to create a weekly magazine that would analyze, comment on, and play a role in the cultural life of the city. It would not, Ross insisted, be a magazine for "the old lady in Dubuque." It would be sophisticated and urbane -- but not snobby. It had standards, but if a reader was witty or informed enough, he or she would be a member of the club.
In the depths of the winter of 1925, the first issue of "The New Yorker" rolled off the presses. Despite some glitches, such as a joke ("Pop: A man who thinks he can make it in par. Johnny: What's an optimist, Pop?") that ran with the set-up and punchline reversed -- a error reprinted in every anniversary issue for years -- the magazine was an instant hit. In the decades since, it has come to be considered the gold standard of American magazines.
That respect is due almost entirely to Ross. He personally edited virtually every word that appeared in every issue until his death in 1951, and, despite his own poor spelling, his meticulousness for precise grammar, clarity, and good writing attracted such notables as Vladimir Nabokov, John Updike, Ernest Hemingway, John Hersey, Ann Beattie, John Cheever, Roald Dahl, Alice Munro, John O'Hara, Philip Roth, J.D. Salinger, Robert Benchley, Dorothy Parker, Irwin Shaw, Woody Allen, James Thurber, E.B. White (whose own prose style was crucial in setting the magazine’s voice and tone), and even Marlon Brando.
But the literary aspect of "The New Yorker" was only part of the package. Each issue was filled with cartoons by artists like Charles Addams, Peter Arno, George Booth, Roz Chast, George Price, Saul Steinberg, William Steig, and Thurber again. So good were (and are) the cartoons, that many readers never get past them and are still satisfied they got their money’s worth.
Despite Woollcott describing him as looking like "a dishonest Abe Lincoln," Ross' contributions to the culture of Manhattan and America are impossible to calculate. His sensibilities shaped the ways plays were written, movies received, and books were published, and it's almost impossible to imagine American -- and world -- culture without him.
Suggested Sites...
|
|
Directory categories:
Harold Ross, The New Yorker, E.B. White, Magazines, Manhattan |
|
Archived under: 1920s, Authors, Biographies, Birthdays, Cartoons, Journalism, Literature, Magazines, Media, New York, Society and Culture, The New Yorker |
| Post a comment (0) | Email this posting |
 You've got to give Guy Fawkes credit. Even after being tortured, he still signed his confession with a fake name. |
"Remember,
remember the 5th of November, gunpowder, treason, and plot...." Now, most readers of The Spark will be more than familiar with the traditional British festival of Guy Fawkes Day, but as the only current Spark contributor from the Sceptred Isle, I feel it falls to me on this most gruesome of days to set the record straight a little on this most macabre and sinister cultural event.
Now, don’t get me wrong, I abhor the way the PC brigade, however well-intentioned, continually assaults our freedom to celebrate religious events for fear of offending those who may not share their particular values. However, I feel with Guy Fawkes the PC movement’s efforts should be doubled and rewarded with considerable financial backing. As I have aged and had children of my own, I have had to reassess what the event really means, and let me tell you, it sits in stark contrast to what I thought it meant 25 years ago. Take a look at this:
Guy Fawkes Day
What it meant to me
then: A fun family evening when communities come together to share the
experiences of good company, good food, and pretty fireworks.
What it means to me now: The bloodthirsty Protestant glorification of the violent torture and execution of a Catholic dissident. Let me tell you, King James I and the practice of hanging, drawing, and quartering made Dick Cheney and water-boarding look a party game for kids. Anyone questioning my views on this should visit the town of Lewes, where the annual bonfire celebrations routinely include hooded torch-wielding enthusiasts burning effigies of the Pope with wanton abandon.
Penny for the Guy
What it meant to me then: A wholesome childhood activity that kept us off the streets, taught us the value of recycling, and put a few extra pennies in our pockets.
What it means to me now: The building -- by children -- of an effigy of a minority political activist with the express intent of burning it publically.
Seriously, what is the lesson here? And why do we get kids to do it?
The Bonfire
What it meant to me then: Staring in wonder at the gigantic imposing inferno, just close enough to feel your cheeks, palms, and synthetic clothing fibers tingle; a rare chance to
be face-to-face with the most deadly of elements.
What it means to me
now: A holocaust for hedgehogs. As the bonfire is slowly constructed in the days leading up to Guy Fawkes Night, the desperately cute (although undeniably stupid) hedgehog --
in perhaps one of Mother Nature’s cruelest of practical jokes -- is looking for a safe, cozy spot for winter hibernation. He sees the bonfire. He enters the bonfire. One can only imagine the inter-hedgehog conversations nationwide as the flames and smoke engulf them: "It’s a bit warm in here, isn’t it?"
So what is the government doing to stop this egregious chain of events? Aside from painfully patronizing public information announcements about fireworks and bonfires being dangerous and hot -- nothing at all. So the message is loud and clear: Relive the persecution of Catholics, let your children burn their effigies freely, and rub salt into the mortal wounds of a man who has already been more than adequately punished and vilified... just try to be safe while you do it.
Suggested Sites...
|
|
Directory categories:
Guy Fawkes, Guy Fawkes Night, The Gunpowder Plot, UK Parliament, English History |
|
Archived under: Assassinations, Conspiracies, Crime, Fireworks, Guy Fawkes Day, History, Holidays, London, U.K. History, United Kingdom |
| Post a comment (0) | Email this posting |
Anyone who makes crafts -- whether they're professional iPod cozy designers or amateur macrame owl enthusiasts -- knows that crafting takes trial and error. Crocheting homicidal vegetables or felting Jabba the Hutt miniatures takes skill and practice, and before you get that knitted digestive system to look just right, you're probably going to make some mistakes.
But be warned: the Internet is not kind to ugly, misguided, or ineptly executed crafts. If you've got a thin skin when it comes to your homemade chicken poncho, perhaps it's best if you don't list it on etsy until you're sure you've got it right. Because crafters, while creative and wily and determined, can also be -- well, snarky.
In the defense of sites like Regretsy and Homemade Hilarity, which poke fun at the bizarre, confused, and unintentionally hilarious crafts of the Internet, there are some terrible crafts out there (we know -- we've made some of them), and it's hard to resist making comments at their expense. Do we feel bad about it? Sure. Will that stop us from giggling madly at the crocheted beer can Darth Vader helmet or the toilet paper cover and/or hat? Not a chance. But it will stop us from posting our own, um, "awesome poop earrings" -- unless we decide to embrace our failures and share them for the education -- and hysterical, mocking laughter -- of others.
Suggested Sites...
- Homemade Hilarity - giving misguided crafts the fond, snarky commentary they deserve.
- Regretsy - showcases the handmade gems that were never meant to see the light of day.
- CraftFail - crafters fess up to their own terrible works by sharing their crafts gone awry.
- Craftastrophe - proceed with caution....
- Cake Wrecks - still makes us laugh after all these years.
|
|
Directory categories:
Bad Crafts, Crafts, Crafts for Sale, Folk, Self-Taught, and Outsider Art, Bad Art |
|
Archived under: Arts, Blogs, Cake Decorating, Crafts, DIY, Flops, Homemade, Humor |
| Post a comment (1) | Email this posting |
|
Sesame Street Sale Save 40-70% off Sesame Street Designer Closeouts At ShopStyle. www.ShopStyle.com
|
Elmo Jobs Elmo Jobs Paying $14-78 Per Hour That You Can Train For Now www.officialjobmatches...
|
Nintendo T-Shirts Ninetendo T-shirts and Classics 80's Tv show shirts. www.tvstoreonline.com
|
|